Prefabrication experiments - 439 - Catalogues and styles

 

A spinoff of the spawning 20^th century automobile industry, early mobile home manufacturing deployed mass production principles to build affordable dwellings. These principles are well documented; building a lightweight timber structure over a steel platform, wheeled out of the factory, delivered and installed on any site. The pre-cut kit house also used mass produced timber frames but from a different value proposition in as much as its design process offered increased options; pieces could be shaped and packaged for multiple configurations less affected by transport criteria. 

 

Both models of twentieth century prefabrication used plan books to organize procurement. Clients could choose from designs articulated to harmonized modular strategies and supply chains. The Sears catalogue of houses is probably the most famous and inspired other companies like Canadian icon Eaton to offer their own version. The number of designs was staggering when analyzed in relation to what architects often decry as standardized prefab. 

 

The conceptual distance between how industry and architects interpret the catalogue endures as an interesting dilemma for manufacturers. While architects have often argued against style to inform patterns and pastiche architectural compositions, their proposals remain relatively similar in terms of fundamentals differing only in aesthetic orientations. Resolution 4 architecture's took on the modular catalogue «The Modern Modular» with what at first glance seems like a third option: A library of spatial components and modular variability anchored to an objective of spatial and production rationalization. However, the aesthetic remains manifestly modern defined by clean and minimal lines. 

 

Is architectural variability truly about singularity or is it about style. The Eaton catalogue contained traditional designs outlined by similar detailing and volumes, while Res4’s architectural approach more closely mimics a type of pattern language leading to houses that all look the same, hardly singular. Industry’s take on the precut house was in a sense at once rational and varied. Contemporary architects argue that prefab should be organized around similar components, nonetheless, mostly tainted by modernist attitudes. This aesthetic and disciplinary-informed gap between architectural sophistication and generally palatable designs continues to hinder prefab’s streamlined application.

left: Eaton Catalogue; right: Resolution 4 Architecture modularity