The curtain wall is conceivably the
most important revolution in modern building culture. Originating in the
nineteenth century and honed throughout the twentieth century, this revolution introduced
the glass building but more importantly supported the disconnection of the building’s
envelope from the building’s structural system. The traditional envelope
composed of a massive enclosure supported by each floor was substituted by
vertical and horizontal lightweight structural profiles hung from the
building’s edge. This grid of structural members could be fixed intermittently
to a building’s floor edges and sealed with glazed, insulated or decorative panels.
This separation of structure and skin released the façade from classic
structural rhythms.
Lightweight materials transformed
building in Europe and in North America and were consistent with new production
capabilities and contributed to improving multilevel buildings, which commanded
lighter materials in order to achieve greater vertical spans. Robert Davidson
discussed the curtain wall and the separation of structure and skin in a May
1947 article from "architectural Forum". Davidson illustrated the
flexible assembly of vertical supports on the edge of slabs as the main
constituent of this nimble building strategy. The flexibility allowed for the
building’s «structure and skin» to
obey different orders. The light glazed walls also decreased traditional
massive wall loads. Many different companies developed curtain walls in steel
and in wood but most used aluminum sections converging the material’s
lightness, its precise production potential and postwar economic downturn for
the aluminum industry.
Post-war school building systems were
especially conducive for curtain walls as new pedagogy demanded diversity in
planning and adaptability while governments demanded systems that optimized prefabrication,
industrialisation and transfer of military technologies to civilian use. Although
it is impossible to choose one curtain wall system to portray an industry with
many variants, Hope's Windogrid did combine the three main constituents that
characterise both the forbearers of the modern curtain wall and present day
technology: floor edge anchors, vertical and horizontal mullions, and separate pressure
caps. Henry Hope and Sons ltd proposed a system for continuous fenestration,
which separated steel mullion bars from an extruded aluminum cap section, which
held glazed panels in place. The steel bars were fixed to the edge of slab
condition while the aluminum grid was set apart from the structure, creating a
continuous glazed enclosure.
Windogrid Detail |
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