The strong relationship between
housing, architecture and prefabrication founded on the principles of
industrialization, notably mass-production, urbanisation and commercialization defined
modernity in architecture. The modern architect inspired, strived and searched
for innovative housing types that combined industry, architecture and a new
willingness to serve. Together with Frank Loyd Wright's Usonian homes to Alar
Aalto's small wood houses in collaboration with Ahlström, architects
transformed the practise from its elitist heritage based on underwriting kings,
emperors and the clergy into a profession that helped conceptualize and
redefine the industrial city and its necessary constituents. The modern
architect was as much a philosopher as he was a designer.
The figurehead of the profession’s
social renewal and the search for an equitable solution to the housing problem was
Walter Gropius. His early designs for Copper houses, his 1924 manifesto on the housing
industry and his later collaborations with Konrad Wachsmann explored industrialized
but variable systems for building. His American influence evolved from his role
at the German Bauhaus, his prominence at Harvard and eventually led to a
collaborative studio founded with seven young American architects. The Architects
Collaborative (TAC) founded on Gropius’ social vision helped the group become
an important part of modernism in the USA. Among a great variety of mandates, TAC
developed master plans for Six Moon Hill and Five fields. The two housing developments
in Lexington, Massachusetts, a suburb of Boston, were to elucidate the potential
relationship between simple low-cost designs and the spatial quality that had
become synonymous with the modernist tenet.
The master plans based on the utopian
ideals of the garden suburb included a central communal space. The prototype
houses were aimed squarely at the post-war American suburban family. The emphasised
relationship between indoor common areas and outdoor family space made these
small homes unambiguously modern. Although not completely prefabricated, most designs
were based on the use of industrialized components and a standard twelve-foot
by twelve-foot modular spatial volume, which was combined into numerous
arrangements. The houses designed, built and sold by TAC brought them total
control as the developer in order to harmonize all project procedures. The
standard wood framed structures kept costs comparable to other developments and
the simple detailing celebrated Gropius’ practical approach to construction.
House in Five Fields |