The common thread of early prefabrication
experiments was the convergence of war, modernization and mass production. The
manufactured house planned on a typical flat lot became the model for prefabricated
housing systems. Site specificity and variability were lost to tract housing in
service of massive housing crisis. The model of a site-specific house designed
within local traditions and construction methods was replaced in many
industrialized countries by the proliferation of the balloon frame. This combination
of the 2 by 4 and the steel nail contributed to a housing culture of uniformity.
This detachment of architecture from
industry and building distanced the architect from residential design and
placed mass housing in the hands of builders. Architects, with a few speculative
exceptions, developed a somewhat elitist view of the manufactured house,
defining it as a soulless architecture of mass production.
It is important however to note that industry
was not concerned with aesthetics. Its processes are equally conducive to
beautiful and ugly architecture, site-specific or non site-specific buildings and
local or global values. The marginal movement toward open building systems,
based on fundamentally modernist ideas, came from a realisation that craft and industry
were not incompatible. Modulli 225 designed by Kristian Gullichsen and Juhani
Pallasmaa is perhaps the most notable system intended to merge craft and
industry. Conceptually linked to Finland’s traditional connection to the forest,
Modulli 225 promoted wood in a modular post and beam construction system.
Finland’s prefabricated house market had
been driven by the housing crisis and the war reparations owed to Russia. An
already craft-based wood building culture, Scandinavian countries and Finland
in particular generated a number of open building systems conducive to
variability, flexibility and adaptability. The modulli 225 evolved in this
context and was theoretically related to the variable DOMINO component-based system. Conceivably also related to Le
Corbusier’s DOM-INO, Finland’s DOMINO was based on a similar open modular
planning grid organized by horizontal planes. The open spaces within the
horizontal planes were filled with patterned panels of walls and windows. The vertical stressed skin insulated panels
allowed for multiple indoor/outdoor interactions.
The DOMINO system was based on a modular coordinated grid of panels,
precise details and simple spatial organisations. This rational approach to
variability allowed for numerous potential configurations presenting
prefabrication as an integral part of an architectural process.
From the product catalogue of the DOMINO system |
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